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HARD are a band
hailing from Hungary originally performing hard rock in their
native tongue before delivering an album in English entitled
“Traveller” which caught the attention of producer Beau Hill
who remixed a few tracks, that said the album was rather average
melodic hard rock at best. Now the band are back with a new
vocalist, none other than Baltimoore main man Bjorn Lodin for
“Time Is Waiting For No One” and his influence is quite easy
to hear on the band with this being a considerable step up in
quality. Coming across as a mix of Aerosmith, Whitesnake, AC/DC
along with some more modern commercial touches the album is for
the most part a very solid cohesive unit of songs.
Kicking off
with a couple of driving tunes in the title track and “Black
Clouds” both of which are sure to get dandruff flying from
front rows when the band play live. Musically the band are
pretty straightforward, solid and able of delivering hard rock
with style, but its Lodin’s vocals and his adventurous play with
words that brings a smile to my face particularly on the latter
track. The music is also enhanced with the addition of guest
lead guitarist Thomas Larsson (Baltimoore/Glenn Hughes) who’s
shows more teeth and guile here than on most other recent works
from him.
“Lonesome
Loneliness”
is a left field step from the albums traditional opener, with
Lodin delivering a Steven Tyler esque rhythmic swank in his
vocal delivery. “Love Goes With Anything” is melodic
soft rock which is obviously aimed at radio and likely to find
appeal on a wider scale, Lodin voice sounds very soulful here.
“Magical Pretence”
is arguably the
highlight of the album with its great riff, and superb melody
lines from Lodin – particularly the swooping lines of the
chorus, not a million miles away from the excellent work on
Baltimoore’s “Kaleidoscope” album in truth.
“Into The Fire”
is more swaggering hard rock built for slaying arena’s,
musically its AC/DC meets early Whitesnake with Lodin’s vocal
being a full blooded delivery of mike swinging, crotch crunching
David Coverdale proportions , Larsson gets extended solo time
here and its thoroughly rewarding as well. Whilst there is
nothing subtle about the track being home to every hard rock
cliché going its tremendously good fun. “The Pace And The
Flow” is the kind of retrospective feel good slowy the likes
Aerosmith and Bon Jovi play around with, although the mood is
kicked up with a heavier chorus.
Next up is a
cover of the Baltimoore track “My Kind Of Woman” being
more stripped down and Lodin staying in lower registers than he
did on the 1992 original, to be honest I prefer the original but
then maybe your opinion will differ. “Nona” is back to
middle America FM radio goodness which given the complete lack
of American blood in the band suggests some American bands
looking for songwriters might do well to look over the pond for
talent! The track is a nice blend of acoustic guitar, Hammond
B3 and bluesy fills, Lodin again sounds great here.
“Shine On Me
Now”
is a track which sits a little uneasily with the rest of the
material being that its quite different from the rest of the
material on offer with Lodin delivery a very disjointed, yet
strangely captivating after a few spins vocals. Time will tell
whether the track will settle in with its surroundings.
“Four Leaf Clover” ends the album on a melancholic feel,
telling a story of coming back to a loved one, nice enough and
again the mix of cleaner guitars and Hammond is strong and here
the production really breathes.
For the most
part HARD have delivered a strong album with their new
vocalist. It has to be said the influence of Lodin is quite
apparent in pretty much all aspects of the album from the
production (being a typically flawless effort by Lodin) whilst
the classic nature of the majority of the material is sure to
find an easy settling home with most classic/melodic/hard rock
fans. That said a couple of tracks don’t exhume quite the same
class as their counterparts (Shine On Me Now, My Kind Of Woman)
but overall “Time Is Waiting For No One” is a strong rock album
– great album cover too! |